Decoding Fuji: GFX vs. X Series – Which Camera Fits Your Needs?

Fuji’s GFX medium format cameras are known for their exceptional image quality compared to the APS-C X series. However, this benefit comes with considerable trade-offs in terms of weight, lens availability, and price. Many photographers considering a switch tend to focus on pixel counts and dynamic range, often neglecting how these practical limitations can impact real-world shooting conditions.

Featured in a video by Andy Mumford, there’s an honest assessment based on three years of hands-on experience using both the Fujifilm GFX medium format and X systems side by side. Rather than merely zooming in on pixel details or reading specs from data sheets, Mumford provides genuine comparison shots taken with the X-T5, GFX 100S, and GFX 50R across various scenarios, including wide-angle landscapes and high ISO conditions. The differences in image quality are palpable, but often less pronounced than anticipated. More crucially, Mumford discusses whether these differences are significant for your specific photography needs.

Photographers may be surprised by the limitations in lens selection. While the GFX delivers stunning image quality, its launch was accompanied by a limited range of lenses, with Fuji typically introducing only two new lenses each year. In contrast, the well-established X system boasts a wide array of telephoto options: four zoom lenses compared to the GFX’s lone 100-200mm zoom. For those requiring significant reach for wildlife or distant landscapes, this can pose a significant issue. Additionally, the GFX lacks fast aperture lenses, which is less crucial for landscapes. Mumford provides specific instances where he opts for the X-T5 over the GFX due strictly to lens availability.

Weight is a crucial factor in many shooting scenarios. Mumford’s setup with three X system lenses covering 10-200mm weighs about the same as just the GFX body with one lens attached. This made a decisive difference during his recent 8-10 hour hikes in Patagonia. Furthermore, the price difference extends beyond just the camera bodies, as GFX lenses are typically priced at double or triple their X system counterparts. Most GFX zooms start at over $2,000, while excellent lenses from the X system can often be found for half that cost. Mumford also discusses how the depth of field differences often necessitate focus stacking with the GFX for wide shots, a task he rarely faces with the X system due to its greater depth of field. For a comprehensive overview, check out the full video from Mumford.